I’m back
walking my dog of a night – let her off the lead to run and piss over
everything like as if she owns the neighbourhood – she’s only little. I’ve never gone and got a dog, but I’ve
always had a dog. People leave them with
me and then they become mine. This one
belonged to my daughter. I had a big,
black Labrador before that belonged to my
friend Kathy. With the two dogs together
it was easy to see the Lab was a ‘big
little dog’, while this one acted like it was the ‘little big dog’. Dogs don’t
see things the way we do, but they try to fit in with your mob and do whatever
it is they are compelled to do. Following
behind my dog with her legs criss-crossing like Charlie Chaplin walking and a
T-bone patch on her arse I’m reminded of a Bruce Dawe poem, dogs in the morning light. I’ve posted Bruce Dawe before. He’s one of my favourite Australian poets –
there’s a certain touch of quirky, smirking humour in his work that appeals to
me. Or maybe it’s because he writes like
a down-to-earth bloke. Whatever, I
reckon Dawe has studied the behaviour of a bunch of dogs just let out, maybe
from being locked up all night, running loose, ‘innocence’ because they don’t
know the rules or social status, noses to the ground, re-establishing, so
bloody excited that their tails have got their bodies wagging. These dogs aren’t on leads, and that makes
sense because this poem would have been written in the 1960’s at a time when it
was acceptable for dogs to be running free in the streets – the good old days
for ‘doggy derring-do’, and a boy and his dog could strike out from home
together for after school adventures.
dogs in the morning light
(Bruce
Dawe)
Responsive to the
tune of lawns and trees
Dogs sally forth
In whiskery mongrel
innocence; all over town
The irresistible
rumour of the day
Prickles their hides
and sets their bladders singing
Of doggy derring-do
beyond their dreams.
No street but has its
canine tributary
- Confluent in lanes,
They swirl about in
bright-eyed vortices,
Whirl-pools of snap
and sniff and pink-tongued grin.
Quizzical howdies
done, the world’s a labyrinth
Of tortuous delight
through which his nose
Leads on each
quivering Theseus.
Dazed, dazed they go
Into the maze of
history where the sharpest
Barkers fall silent …
O humble retrospection, whose sole
means
Lies in the bleached
unanswerable
Excreta of the past,
the spicy airs
Rising from every
spot where dogs have paused,
And, pausing, thrown
a bridge across Time’s stream!
Let the bells swing
low, their clappers muffled be,
All over town, in many
a public place,
Dogs are having their
first one for the day,
Rapt vacuity on each
raffish face.
Then we’ve got the second verse that’s OK (I’m good with ‘howdies done’), but then I keep reading and think there’s some meaning that I’ve got to unravel. I don’t like it when I’m lost for hidden meaning in a poem. I think the key to the second verse is to know something about the Greek mythology story of Theseus (son of Greek king who offers himself as sacrifice to a monster Minotaur on Crete who lives in a labyrinth maze; boy befriends girl, Ariadne; gives him a sword and a ball of string to find his way back through the maze; Theseus finds the Minotaur in the maze, slays him and returns to the entrance; escapes back to Athens taking Ariadne; leaves her sleeping on the island of Naxos). That’s a cut down version (read it for yourself), but honest, I can see parallels between how dogs down through history have followed scent trails and how Theseus must have rolled that ball of string back up to find his way out of the maze. Tell me if I’m wrong!
It’s those last couple of lines that I like in dogs in the morning light – “dogs are having their first one for the day, rapt vacuity on each raffish face.” Sometimes, when it all gets too much, gets too serious – it’s good to have a dog around. There are many poets who have written animal poems and poems about dogs. I take their lead and write about my dog:
It’s those last couple of lines that I like in dogs in the morning light – “dogs are having their first one for the day, rapt vacuity on each raffish face.” Sometimes, when it all gets too much, gets too serious – it’s good to have a dog around. There are many poets who have written animal poems and poems about dogs. I take their lead and write about my dog:
Heidi
I love to go
By moon quarter glow
When the cricket call is baritone low
Rabbits quiver and hide in the shadow
Among dry grass thrashed on the meadow
Whispering winds through the she-oak blow
Down where the fern and the fickle-back grow
There’s a worn bush track we always follow
Heidi up front, me in tow.
playing
at some game,
called
‘clip joint bouncer’,
compelled
by silent commands,
..... to
freeze,
face
out over the bluff,
or
towards tangled bush,
bulldog
chest and square jaw it,
up in
the face of an imagined adversary,
out
looking for trouble,
or
ready to nip trouble in the bud,
should
trouble,
at any
time wish to start,
then, as
quickly,
........ drop it,
to
become some penal hound of the everglades,
hungrily
vacuuming along a sweat trail,
...... jerking,
doubling
back and tracking,
getting
closer to an escaped man, or
maybe
reeling in an innocent child
dribbling
a summer ice cream,
where
at any time
a cover
can be blown,
if the
quarry turns too quick,
..... prop,
and
let’s pretend
at
phantom fleas on our tails,
twisting
to find,
like a
woman told
she’s
just sat in something.
and
always on duty
with
the local neighbor-hood watch,
...... nosy parker,
sniffing
out snippets for the next news letter,
checking
security,
surveying
vestibule entries,
and
being satisfied
with
Buster at No 23’s reaction time,
..... run
away,
like a
pesky child rung a door bell,
when a
murderous charge
slams
his head into color-bond fencing,
..... skipping,
to pick
up the step,
calmly
pleased for the full length of attention span,
inwardly
snickering like precious,
and
sharing a sideways glance.
J. O. White
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